“These meadows consist of a double row of small enclosures of rich grass-land, a mile or two in length, sloping down from high arable grounds on either side, to a little nameless brook that winds between them with a course which, in its infinite variety, clearness, and rapidity, seems to emulate the bold rivers of the north, of whom, far more than of our lazy southern streams, our rivulet presents a miniature likeness. Never was water more exquisitely tricksy:—now darting over the bright pebbles, sparkling and flashing in the light with a bubbling music, as sweet and wild as the song of the woodlark; now stretching quietly along, giving back the rich tufts of the golden marsh-marigolds which grow on its margin; now sweeping round a fine reach of green grass, rising steeply into a high mound, a mimic promontory, whilst the other side sinks softly away, like some tiny bay, and the water flows between, so clear, so wide, so shallow, that Lizzy, longing for adventure, is sure she could cross unwetted; now dashing through two sand-banks, a torrent deep and narrow, which May clears at a bound; now sleeping, half hidden, beneath the alders, and hawthorns, and wild roses, with which the banks are so profusely and variously fringed, whilst flags,* lilies, and other aquatic plants, almost cover the surface of the stream. In good truth, it is a beautiful brook, and one that Walton himself might have sitten by and loved, for trout are there; we see them as they dart up the stream, and hear and start at the sudden plunge when they spring to the surface for the summer flies. Izaak Walton would have loved our brook and our quiet meadows; they breathe the very spirit of his own peacefulness, a soothing quietude that sinks into the soul.”
A cowslip ball is exactly that, a ball made from cowslips:“At last the baskets were filled, and Lizzy declared victor: and down we sat, on the brink of the stream, under a spreading hawthorn, just disclosing its own pearly buds, and surrounded with the rich and enamelled flowers of the wild hyacinth, blue and white, to make our cowslip-ball. Every one knows the process: to nip off the tuft of flowerets just below the top of the stalk, and hang each cluster nicely balanced across a riband, till you have a long string like a garland; then to press them closely together, and tie them tightly up. We went on very prosperously, CONSIDERING; as people say of a young lady’s drawing, or a Frenchman’s English, or a woman’s tragedy, or of the poor little dwarf who works without fingers, or the ingenious sailor who writes with his toes, or generally of any performance which is accomplished by means seemingly inadequate to its production. To be sure we met with a few accidents. First, Lizzy spoiled nearly all her cowslips by snapping them off too short; so there was a fresh gathering; in the next place, May overset my full basket, and sent the blossoms floating, like so many fairy favours, down the brook; then, when we were going on pretty steadily, just as we had made a superb wreath, and were thinking of tying it together, Lizzy, who held the riband, caught a glimpse of a gorgeous butterfly, all brown and red and purple, and, skipping off to pursue the new object, let go her hold; so all our treasures were abroad again. At last, however, by dint of taking a branch of alder as a substitute for Lizzy, and hanging the basket in a pollard-ash, out of sight of May, the cowslip-ball was finished. What a concentration of fragrance and beauty it was! golden and sweet to satiety! rich to sight, and touch, and smell!”
These days we don’t pick cowslips or other wild flowers, they are too precious to be gathered for display or wine-making!
Lois Elsden 
It’s amazing where a conversation can end up!
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It is, absolutely!
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